Why We Write? I Want to Hear Your Story. Read The Stories Below. Send yours to:jenniferartist09@gmail.com
Why I write? Growing up in rural Northern
California I made up stories as a kid and asked my friends and twin brother to
act out the characters. This was in the 1950’s before there was much television
and I lived in my imagination. In Junior High School my friends passed around
notes to each other during school. This was akin to the Facebook and Twitter
posts of the today. In High School I enjoyed writing poetry. I studied poetry
in College and have continued to write poetry. I am a late bloomer to prose, starting
in my late thirties. Writing was what I did between balancing a family, making
art, and working outside the home twenty hours a week, care giving for a mother
with dementia, and earning an MA in Studio Art. Honestly I was lucky to
scribble a few words in a journal!
About fifteen years ago I began a
historical novel set in the 9th century with a working title of The French
Princess. I wrote the novel
in twenty minute spurts every morning. From that novel I expanded one of the
chapters into a novella. I have one other novel that is set in the 1980’s, a
romance and a coming of age after a divorce and caring for a grandmother with
dementia. I have spent the last year editing and shaping Blooming In Winter, my third poetry book, an indie, published first,
by I Street Press which is now available on Amazon. Many of the poems have been
previously published and the book has two write-ups on the back cover by Poet
Laureate Emeritus Bob Stanley and Julia Connor. My writing focus, as of this
moment, is finishing up a related short story collection, “River Bottom Dragon”
formerly (“Farmland Stories”). The collection was a semi-finalist in a contest
sponsored by Five Quarterly. I am
also promoting Blooming in Winter. Recent
book launches and readings include: Olivo
Nello Wine Cellar, Cosumnes River
College, The Brickhouse Gallery and Arts Complex, and The Sacramento Poetry
Center.
Three Judiths |
I am in three writing groups, in which we critique and edit each other’s work (prose or poems) and support each other in other ways. I recommend joining or starting a writers group. Writing is a solitary activity and it is good to know there are others just like you out there. How do I feel about writing? I love to write.
A photograph of my garden |
I love being in the middle of a story. I even like the editing part. Of course sometimes I feel I’m just spinning my wheels. It still hurts to get rejection letters, but they make interesting wallpaper.
When I really need a break from writing I create visual art, garden, walk in nature, ride my bike, hang out with a writing friend at a coffee shop or favorite pub or read a book by someone I aspire to emulate such as Luis Alberto Urrea, Maeve Binchy or Alice Munroe . I don’t think writer block exists for me. I may not be writing what I want but I usually can journal, or edit. It isn’t green writing, but these are important parts of the process.
Detail, Vase of Sunflowers |
I try to maintain my writing practice
which means to sit down every morning and write or do some form of writing
activity. As I mentioned I am also a visual artist so, I often perform a
balancing act between the two mediums. I try to give any creative endeavor first
priority in the day that usually gets crowded. I feel very fortunate to have
the time to write and it is freeing to honor this side of myself. I am on a
journey, like many of you, and I can hardly wait to see what is just behind the
bend in the road and what new fork in the road I will follow. I 'd love to hear your story in a post below! Also, mention any books you have published and let your friends and supporters know you posted here!
Pat's Story In a family of secret keepers, words were to become very, very important to me. As far back as I can remember (and I don’t remember much of my early childhood), I loved books. In that small town plains environment of Brush, Colorado, where I grew up, I can remember the library in great detail: I entered through the north doors, the librarian’s desk was in the center of the room on the right side, and the children’s section was beyond that desk. This memory is etched in my mind in detail. Maybe accurately or maybe not. Who knows?
Bush Library |
I just looked the Brush library up on the internet. It looks just the way I remember it, although I’m not sure what direction it faces, and I’m not sure about there being steps on the north side. Oh, well, it was one of my first chances to have access to something that was in short supply in our household: words. Meaningful words that told a stoy---words that were beautiful that were magic carpets allowing me to escape.
I also remember standing outside my first grade classroom, thinking, I’m going to learn to read. I was thrilled to the core, and I never once found Dick and Jane and Spot boring
This love of words and stories, this
passion, stood me in good stead for the rest of my life as I continued to read
voraciously, to explore being a writer, and to create the fantasy world which
sheltered my sanity. I am a writer because I am a writer. I cannot perceive of
myself any other way. Rilke asked the young poet if he must write, and I
would have answered yes, I must write. I write to find the truth, to
explore the truth, to tell stories, to capture beauty as it flies about on
butterfly wings.
Pat
Nichol has published poetry in several
publications, including Brevities, DADs Desk, and Tiger’s
Eye. Several of her poems were included in PTSD Nation, a Post Traumatic Stress Disorder Exhibit held in
Sacramento in 2014 and traveling the United States. Currently
she is preparing a book of poems for publication, finishing the query letter
and summary for a novel she plans to have published, and beginning a memoir.
Ann's Story Here goes...why I write: I was in junior high when my best girl friend's brother, home from college on holiday gave me a book by Kierkegaart and said, "here, read this and tell me what you think at Christmas break".
I was smitten, and set out copying
all of the unfamiliar words in a note book as I read. I don't recall
understanding one bit of what I read but I learned many new words. On my
own I'd try using these new words in sentences and pretty soon I was
writing poetry which of course I never shared with anyone until much later. One
line from an early poem comes to mind, "and you and I are walking in the
forest munching a carrot."
By Ann Privateer
By Ann Privateer
A
CARROT Feb. 28, 2012
—Ann Privateer, Davis
a carrot found
in the street
Oh Dear.
fully grown
green lacy leaves
feather above
but alas
it's yellow
not orange
discarded, I think
I'll take it
scrub it
then eat
this unusual strain
to see
what magic
will be imparted
on me.
Suzanne's Story
I write in corners, on couches, waiting in cars,
waiting at restaurant, on envelopes, in notebooks, in art books, on napkins;
certainly on computers and longhand, indecipherable longhand. I write
when needing solace, company and emotional outpouring, with decision, precision
and mooning about the state of things. I write in jeans, barefoot, in
e-mails and poetry trails. Mostly I write. In between, I read and
unpack my hours.
I write in corners, on couches, waiting in cars,
waiting at restaurant, on envelopes, in notebooks, in art books, on napkins;
certainly on computers and longhand, indecipherable longhand. I write
when needing solace, company and emotional outpouring, with decision, precision
and mooning about the state of things. I write in jeans, barefoot, in
e-mails and poetry trails. Mostly I write. In between, I read and
unpack my hours.
I draw in corners, on couches, waiting in cars,
waiting at restaurants, on envelopes, in notebooks, in art books, on napkins;
certainly with designs, and free line drawings. I draw when needing
solace, company and emotional outpouring, with decision, precision and mooning
about the state of things. I draw in jeans, and barefoot, in between
tunes and songs. Mostly I draw when I want to remember. In between,
I write and unpack my hours.
As you can tell, observation is one of my strengths
and I started writing poems at age 12, absorbing the imagination filled
days on a peach farm in the Sacramento Valley. And yes, my siblings were always
characters in the dramas invented to entertain us. Smiles.
sMc
sMc
I write in corners, on couches, waiting in cars, waiting at restaurant, on envelopes, in notebooks, in art books, on napkins; certainly on computers and longhand, indecipherable longhand. I write when needing solace, company and emotional outpouring, with decision, precision and mooning about the state of things. I write in jeans, barefoot, in e-mails and poetry trails. Mostly I write. In between, I read and unpack my hours.
ReplyDeletesMc
I draw in corners, on couches, waiting in cars, waiting at restaurants, on envelopes, in notebooks, in art books, on napkins; certainly with designs, and free line drawings. I draw when needing solace, company and emotional outpouring, with decision, precision and mooning about the state of things. I draw in jeans, and barefoot, in between tunes and songs. Mostly I draw when I want to remember. In between, I write and unpack my hours.
sMc
As you can tell, observation is one of my strengths and I started writing poems at age 12, absorbing the imagination filled days on a peach farm in the Sacramento Valley. And yes, my siblings were always characters in the dramas invented to entertain us. Smiles.
I write in corners, on couches, waiting in cars, waiting at restaurant, on envelopes, in notebooks, in art books, on napkins; certainly on computers and longhand, indecipherable longhand. I write when needing solace, company and emotional outpouring, with decision, precision and mooning about the state of things. I write in jeans, barefoot, in e-mails and poetry trails. Mostly I write. In between, I read and unpack my hours.
sMc
I draw in corners, on couches, waiting in cars, waiting at restaurants, on envelopes, in notebooks, in art books, on napkins; certainly with designs, and free line drawings. I draw when needing solace, company and emotional outpouring, with decision, precision and mooning about the state of things. I draw in jeans, and barefoot, in between tunes and songs. Mostly I draw when I want to remember. In between, I write and unpack my hours.
sMc
As you can tell, observation is one of my strengths and I started writing poems at age 12, absorbing the imagination filled days on a peach farm in the Sacramento Valley. And yes, my siblings were always characters in the dramas invented to entertain us. Smiles.
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